During the horror film craze of the 1960s, 1970s, and the 1980s, you couldn't tell moviegoers that there was anything scarier on the planet. From hockey mask wearing Jason Voorhees to butcher knife wielding Michael Myers to scissor-knife fingered Freddy Krueger, terror reigned in the hearts of viewers everywhere. As frightening as they were, times have changed. In today's generation, we have so much blood, gore and realistic effects, that it's almost overwhelming. Looking back, on all those original horror movies that I used to watch, they seem very dull compared to the extravagance of today's films. By dull, I mean kind of cheesy and predictable. All three killers, although they use different modes of killing, they all seem to follow the same pattern. They are all male and their targets are usually almost always female. It seemed as if all the directors wanted to play up the fact that the killers had the advantage. Whether the women was being physically overpowered by the killer or intellectually outsmarted by him, she was made to look foolish in a sense. Whether they had to run to the sheriff or another male figure in the film, it seemed as if they could never come out victorious on their own. Even with male aide, it seemed as if the killer still had the upper hand. This shows 2 ideas from the book: both feminism and generic expectations. "Feminist critics note the heavy imbalance of leading characters and heroes in film and television, in which most of the strong characters are male" (Brummett, 2011). Generic expectations are fulfilled in a variety of scenarios, like when the music builds and someone jumps from behind a closet, when the helpless female victim falls and breaks her leg trying to escape the killers' grasp or when the killer seemingly dies at the end of the film, only to not really be dead.
Reference List
Brummett, B. (2011). Rhetoric in popular culture. (Third ed.). Los Angeles, CA: SAGE
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